I Write About Music
Hi, I run two sites about music. And they're both great. Get in touch. I might even bother to reply.
I am passionate about music. I am dead serious about music. I listen to music. I watch music. I read about music. I talk about music. I buy music. So it makes sense that I write about music.
Styles covered: anything with a pulse, so: Americana, folk, rock, heavy metal, dance, funk, jazz, country, punk, bluegrass, rockabilly, post-punk, new wave, blues, noise, hard rock, surf, shoegaze, electronica, indie, avant-garde, pop, jam bands, (neo)-classical, Krautrock, power pop, experimental, post-rock, dream pop, minimal, industrial, vaudeville, singer-songwriters... The ability to play the music in a live setting is considered to be a big plus.
No reggae or modern day R&B, no fucking Auto-Tune. Tried it, hated it.
Note: my address for sending me stuff can not be found here. It will be supplied to you after I have contacted you. I like some privacy, old fashioned I know.
Blog posts
Album reviews
Single reviews
Visitors each month
Californian quartet Scaled Alps are all over the place on their Let the Alpine Play album, switching between goth, psychedelic, rock, funk, rap and jazz without missing a beat.
This is an album that is like an emotional roadmap and the sign-posted song titles along the way make it clear that some of the destinations are not particularly wholesome.
German musician Chris Burda has tried to capture the story of the evolution of life on planet Earth by writing cinematic synth-driven pieces about notable geological periods.
. His sense of humour ensures that he is quite content. He has taking a scalpel to his current life, cut out all the bullshit, and ended up with a bunch of carefully crafted songs.
He leaves a trail of musical nuggets, some quite obvious, others hiding in plain sight, and the Easter eggs only showing themselves to those with an above average attention span.
A relaxing excursion, with a prominent role for the piano. It taps listeners gently on the shoulder, inviting them to step into a dream world where beauty and art reign in unison.
He mixes up krautrock with psychedelica, noisy rumblings that sound like mushy demos made by Mark E. Smith, on his own again after he fired all the pickup players once again.
© 1997-2026 Hans Werksman hanswerksman.com